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iinel:

untitled (by Petrana Sekula)

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Natasha in The Winter Soldier (spoilers)

idontneedtobeforgiven:

sugarfey:

allofthefeelings:

sugarfey:

teaberryblue:

I sent this over an email to a friend, and I wanted to post it somewhere more public as well. 

Natasha is an interesting animal because I don’t believe that most of what we see of her, ever, is actually her. She’s someone who inputs and reflects the behavior of those around her or gives those around her what she calculates they want from her: we see this in most of IM2, with Tony and then with Pepper. We see it in scenes in Avengers, in her intro scene, with Bruce, with Loki, though I think Avengers is maybe where we see the most of what is honestly Natasha in her interactions with Clint.

I’ve seen several people say that TWS is where we are “finally seeing the real Natasha” but I don’t know how much I buy that. She’s being what she thinks Steve needs her to be— jokey-flirtatious, and her brand of sarcasm in this movie is a bit drier, a bit more like Steve’s, than the sarcasm we saw from her when she was bantering with Clint in Avengers. I think she’s reacting to his signals.

Johansson has this one particular quirk she adds to Nat’s character that I particularly like, that I tend to think of as Natasha’s lizard look. You see it in every movie: a point where she goes entirely expressionless, blinks, and looks like she’s processing like a computer. It reminds me of those sort of blank looks lizards often have. Those are the moments when I think Natasha is not sure, is processing, making a decision about which Natasha she’s supposed to be. They’re incredibly vulnerable and fascinating, because they’re not always at the points where the character is otherwise behaving vulnerably: the very first one is in the scene where she piledrives Happy, when she’s introduced in IM2. She has a few in TWS, most notably just when she asks Steve if he trusts her, and again at the end when she’s disseminating the classified info. 

I think those moments are the times when we actually see the most of what Natasha, stripped away, is really like: those, and the scenes with Clint in Avengers, and maybe that breathless “Don’t do this to me, Nick.” She’s someone who functionally knows how to be a person, but it’s all layers of learned behavior. And I don’t think they’ve stripped those away from her yet in MCU.

This is really great meta!

I agree that I think Natasha is often presenting the face the characters around her want or need to see. I discussed briefly yesterday how some moments in Cap 2 irked me because they didn’t seem consistent with what we saw of Natasha in Avengers, especially her sense of humour, so I really like the idea that she picks up on cues from people and adjusts her behaviour accordingly. She asks Steve who he wants her to be, but in a sense she’s already giving him that. There are moments where we see what could be called the ‘real’ Natasha, there have to be, otherwise her whole arc feels hollow; but they’re all very subtle. I think that makes sense for Cap 2, because in the end it’s a solo movie, so a lot of what we see is from Steve’s POV.

That’s why the lack of a Black Widow movie is so frustrating (apart from the obvious “why is there no movie with a female lead WTF Marvel”). There are still so many layers to Natasha that we haven’t seen in the MCU. I’m sure we’ll see more in Avengers 2, but it would be amazing to devote two hours of movie to her character.

YES YES YES YES Y E S

When they talk about what a big role Natasha has in other Marvel movies, they’re talking about time on screen, not perspective. She’s certainly a key player in Cap2, but at the end of the day, we see her through Steve’s lens, and we see her being the person she thinks Steve needs her to be. We see Steve’s Natasha, rather than Natasha.

Honestly, I think that this is one of the things Marvel doesn’t realize in how important it is to have a Black Widow movie. The existing movies all have vastly different voices and circumstances, but they all come from the same place of privilege; every protagonist and point of view character for an individual-led Marvel film is a straight white cis man, and seeing from their vantage point is the default. It means there’s a lot we’re missing in understanding the experiences of any character who doesn’t fit that profile, and it’s something I’d love to see further explored in the MCU.

Yep. Get your act together, Marvel!

I actually think we see more of Natasha’s perspective in Avengers than we do in Cap 2, and that’s due to Cap 2 being a solo movie, because titles mean things and the title is Captain America: The Winter Soldier, not Captain America and Black Widow. We were able to see more of Natasha’s POV in Avengers because the team structure allowed her to be the audience entry into the film. We’re undoubtedly going to get more of her perspective in Avengers 2, but it’s not the same as her having a solo film and it pisses me off that Kevin Feige thinks it’s sufficient.

I need all three of you to write for the Black Widow Movie Initiative because I’m in love

"The war is over, the king is safe."
"The king is never safe."

only-listen-to-the-good-things:

indevampire:

i think there is no greater dark magic than the cha-cha slide

you will never get a group of people obeying every command so quickly as you will by putting on that song.

every previous conversation grinds to a halt as everyone goes to the left and then takes it back now y’all

As a bouncer I can confirm this.


unhistorical:

Swan Lake, Op. 20 (1877), Act IV, No. 28 Scène

KRASNAYA KOMNATA = [ T H E  R E D  R O O M]

a mix for the black widow and the winter soldier

you can take the person out of the red room, but can you take the red room out of the person?

ART CREDITED TO: sailoreureka (the winter soldier) and kahel (originally: suki; here natasha romanoff)

LISTEN

  • afi - prelude (neoroyal remix) // placebo - meds // pendulum - witchcraft // regina spektor - aprés moi // ane brun - i would hurt a fly // patrick wolf - oblivion // massive attack - paradise circus (zeds dead remix) // gil scott-heron - me and the devil // glitch mob - between two points // hannah fraser, michelle ryan - the flower duet (lakme) // fiona apple - hot knife (novice garageband) // three days grace - get out alive // johnny cash - god’s gonna cut you down (sowr remix) // nancy sinatra - bang bang // henry jackman - the winter soldier

history meme - one war (1/1)

The Cold War (1947-1981) was a sustained period of conflict, primarily between the USSR and the USA. Spurred on by continuing tensions from the end of WWII, The Cold War was a clash of ideologies - communism (Soviet Russia) vs. capitalism (America), with each side vying for dominance in a bitter power struggle. The term ‘Cold War’ comes not from Russia’s climate, but instead refers to the lack of actual army-to-army warfare taking place. Instead, both counties fought for their beliefs through technological advances such as the space and arms races, while their client states fought in proxy wars - e.g. Vietnam and Korea.

What may have eventually ensured that The Cold War didn’t become ‘hot’ was the impending threat of nuclear warfare. Both the USSR and the USA had frantically stockpiled as many nuclear weapons as possible in the struggle to be the superior military force, but the threat atom bombs posed was not so well known until 1952, when America exploded the H-Bomb; 2500 times more powerful than that dropped in Hiroshima. Russia followed suit, possessing their own H-Bomb by the following year. Suddenly, the world was a much more dangerous place. Both nations knew that if they were to fire their missiles, the enemy would respond immediately; resulting in wide-spread mass destruction for them both. As Soviet leader Nikita Chrushev said: “The survivors of a nuclear war would envy the dead.” [+more]